Tuesday, December 27, 2011

Dev Anand & R.D Burman


song : ek roop kai naam
(one concept different names)

singer : Kishore Kumar

music : R.D Burman

lyrics : Anjaan

album : Swami Dada (1982 Hindi movie)

produced & directed by : Dev Anand

Trivia: Dev Anand have always explored the themes of spirituality,mysticism and religious-cults in his movies [ eg. Guide(1965), Hare Rama Hare Krishna(1971), Swami Dada(1982)] with out being too judgmental or patronising. 'Swami Dada' is not a real life character but loosely based on the notable 20-th century holymen like Osho,Yogananda,Meher Baba etc. who had large following in the West. (But they should n't be mistaken with their 21-th century counterparts, who are mostly after money and fame.) Dev Anand with his in-born charisma & unbridled energy was tailor-made to play the holyman. The Western female disciple reminds me of Kate Winslet in a much later movie 'Holy Smoke'(1999).

Swami Dada did not do well during the time of release because, like many other Dev Anand movies, it's theme was well ahead of times. And like any other Dev Anand movies ,it had great music from the Burman - this time Burman junior - to be precise, the incomparable R.D Burman !

Sunday, December 18, 2011

Dev Anand : romancing with life

Dev Anand - on or off-the-screen - was always immaculate in his attire. One can never imagine him in an informal attire. The same goes with his on & off-the-screen persona too. They were never at odds with each other.

The boyish-looking romantic hero of 1950s & 60s re-invented himself as a dashing & debonair hero in the action-flicks of 70s and 80s.

Dev Anand and Geeta Bali in the movie Baazi(1951). The movie was directed by Dev's life-long friend Guru Dutt. Dev Anand produced the film. Guru Dutt later spearheaded the Golden Era of Hindi cinema of 1950s & 60s and made unforgettable classics which earned him the name among the top 25 Asian directors of all times. Guru Dutt is also known as the Orson Welles of India. Dev Anand with his wife & actress Kalpana Kartik (above)in Baazi(The Gamble).They got married in 1954.

Dev Anand with his idol (above) the great Gregory Peck (who's my favourite Hollywood actor too).
Dev Anand and Zeenat Aman(above)in the super-hit movie Hare Rama Hare Krishna(1971) written, produced & directed by Dev Anand. The movie is about a brother in search of his sister who was lost among the hippies.

Dev Anand was a well-read and articulate individual who could make a conversation on any subject. In this mid-1990s photo, Dev Anand chats with Hillary Clinton, then the first-lady of U.S.

Dev Anand and Mira Nair. As film-makers, they are different as chalk and cheese. Dev was a pure entertainer while Mira Nair is world-renowned for her realistic, artistic movies. But both were pioneers in documenting the lives of overseas-Indians in their movies.

Dev Ananad : a journalist remembers

Ten things you didn’t know about Dev Anand
Rubina A.Khan about the legend in her article in firstpost.com

I’ve had the rare honour of knowing a legend like Dev Anand personally over the years, way before I was a journalist. I have spent many an early evening with him at his office on Pali Hill, listening to the glorious history of his life, first hand. As I would walk up the hardwood stairs leading up into his office, he would say, “Come in Rubina! The door is open” even before I’d reached the door. It was surreal sometimes that Dev Saab knew my name and addressed me by it! My grandparents, huge fans of Dev Saab, were suitably impressed that the great actor gave me an audience, not once, but on many occasions. My grandfather would actually think I was pulling a bluff when I’d say I was going across to meet him. Had there been Twitter and Facebook back then, I would have been spared some of the sardonic wit of my grandfather, with my pictures and status updates doing all the talking. He would often wonder, aloud mostly, what in the world Dev Saab would want to meet me for. It was simple – Dev Saab’s desire to feel and see the world through younger people and interact with the real world outside was insatiable.

He was not one of those stars who liked to live in their own world, without an inkling of outside realities. He would ask questions about the Internet, the way we communicate, write, think, what we read… everything about a generation he didn’t belong to biologically, but in spirit, was younger than most teenagers at the time. His optimism, enthusiasm and zest for life was awe-inspiring, and I remember leaving his office feeling invincible every single time. Also, the fact that I’d just had a conversation over popcorn and sookha bhel with one of the greatest actors in Indian cinema left an indelible high on my soul each time. Our ages never came in the way of our life exchanges, if anything, it was comforting to think of him as a friend, even though he was closer to my grandparents age than mine. I met Dev Saab as a star, completely struck by his charm and polite demeanour and got to know him as a person subsequently – one that I would like to describe as one of the most honest and clean souls in the world, aside from a very talented actor and super star. I learnt a lot from him. RIP Dev Saab!

Some things I observed about him, which are not known to many, are listed here:
1. He picked up his office phone himself and greeted you with the most charming Hello.
2. He never forgot anyone’s name once he’d met and interacted with them.
3. Birthday flowers along with a personal note was protocol for his friends and family.
4. He liked soft lights in his office, which was a penthouse on 42, Pali Hill, Bandra, situated above his dubbing studio, Anand Recording Studio.
5. The penthouse was covered from floor to ceiling with a vast collection of books and scripts with just enough space for his couch, which incidentally was his favourite spot in the room.
6. Soup was his preferred dinner as he was a very spartan eater and his favourite snack was a bowl of unsalted and unbuttered popcorn.
7. He never gossiped about people – always analysed things and deconstructed them, never degrading anyone in the process.
8. He wasn’t a big spender.
9. He always invited people to his parties personally over the telephone, which was then followed by a formal invite.
10. He was an extremely well read and articulate man and could converse on any subject with as much ease as films and filmmaking.

courtesy : www.firstpost.com

Tuesday, December 13, 2011

Dev Anand : Guide (1965) - title song



song : musafir (the traveller)

singer/composer : S.D Burman

movie : Guide (1965-Hindi movie based on novel by R.K Narayan)

starring : Dev Anand, Waheeda Rahman

Produced by : Dev Anand

written & directed by : Vijay Anand

trivia : Dev Anand's most critically acclaimed movie 'Guide' is based on R.K Narayan's novel and directed by Dev Anand's brother Vijay Anand. The title-song is composed & sung by S.D Burman in the Bengali folk style. For the music of his own productions, Dev Anand have consistently used the Burmans - S.D Burman & his equally talented son R.D Burman. No surprise, the music of Dev Anand movies were a great hit !

Dev Anand : Actor, Film-maker & 'Guide'


I grew up watching his movies - in the 80s & 90s. My father grew up watching his movies - in 60s & 70s. My grand-father grew up watching his movies - in the 1940s & 50s. Is n't that incredible ! I 'm sure, many others could say the same way too. That's the most remarkable achievement of Dev Anand who has passed away on December 4th, at the age of 88. He entertained generations !

Well known for his old-world charm and feverish energy, Dev Anand's career spanned over 6 decades. When most of his contemporaries were retired or limited to side-roles, Dev Anand continued to play hero & make movies till the very end. Infact, his last movie 'Charge Sheet' was released only a few months ago. Dev Anand was known, esp. early in his career as 'Indian Gregory Peck'.
His most critically acclaimed movies came in the 1950s & 60s, known as the Golden Era of Hindi cinema. Prominent among them was 'Guide'(1965) based on the novel by R.K Narayan , made by Dev Anand's own production house 'Navketan'. This super-hit movie is a land-mark film in the history of Hindi cinema. Later he ventured into screen-writing & direction and made many super-hits, including 'Hare Rama Hare Krishna' (1971) which is based on the prevalent 'hippie' culture. In this film, he launched Zeenat Aman - the former miss-India and model - who later
became well-known actress of the 80s. Dev Anand as a film-maker is instrumental in lauching the career of many new-comers - a tradition he continued till his later movies.

From the boyish-looking romantic hero of 1950s & 60s, Dev Anand re-invented himself as a dashing & debonair hero in the action-flicksof 70s and 80s. In his later career (from 1990s onwards) he acted only in his own productions. As Hindi cinema evolved into 'Bollywood' with songs & dance spectacle gallore, Dev Anand remained aloof to this trend and made his own small-budget 'indie' movies (a la Woody Allen). He recieved a lot of brick-bats and ridicule at this time for not 'following the herd'. Dev Anand was also a pioneer in making movies abroad, highlighting the lives of overseas Indians.
As a film-maker, Dev Anand movies were pure entertianers which can be termed as 'kitsch' (by world standards). But kitsch is also an art form and is better than plagiarism , which is rampant in Bollywood now. Infact, Dev Anand was a complete anti-thesis to the current image of a stupid and ignorant Bollywood hero. This M.A (Master of Arts) in English Literature was extremely well-read and articulate individual. During his launch of autobiography 'Romancing with Life' in 2007 ( released by Prime Minister Manmohan Singh) he told the reporters : "Every word of the book is mine. Come on, I'm an educated man !"

Thursday, December 1, 2011

Who is the Greatest ?

The maestro and the protege : who is the greatest ? A.R Rahman or Ilaiyaraaja? This debate about the great sons of south-Indian music have split their fans for long. The heated discussions which started in school & college campuses in the early 90s, have now shifted to message-boards and chat-rooms and even YouTube. After his Oscar triumph in 2009, A.R Rahman-fans now seems to have the upper-hand. The following article is my 'expert opinion' on what I think about the subject :


I don't highly rate A.R Rahman as a music composer. He is more of a good music-conductor than a composer. His stock of tunes are rather very limited. Nor he is very prolific or spontaneous in his output like Ilaiyaraaja. What makes A.R Rahman click is that he packages his limited tunes well. Perhaps his early experience in the ad-world may have come handy. He often comes up with some 'jingles' that catches the instant imagination of the youth. But they didn't have a longer shelf life. Most of his compositions are mediocre, with an occassional flash of brilliance here and there.

In case of Ilaiyaraaja, vise-versa is true. Even his mediocre works are now considered world-class. From start to finish, there is no irrelevant or insignificant piece of notes in his composition. Any portion of his music can make a beautiful 'ring-tone'. There are many movies (musicals) which became super-hit by his music alone. Even instrumental albums based on Ilaiyaraaja's music still sell like hot-cakes.By the sheer number of hits, creativity,innovation, consistency - A.R Rahman is no match to Ilaiyaraaja. while A.R Rahman is more of a pop-composer, Ilaiyaraaja has shown complete mastery in all area of music - folk, pop and classical.

(to be continued) ...